![]() ![]() This event will take place in EartH Hall. The live concert recording for Triple O’s seminal project ‘Everything Left Unsaid’, an immersive… Triple O Live In London: Everything Left Unsaid Live, they have an…Įxperience the spellbinding vocals and transcendent melodies of California-based Simrit as she… Personal Trainer are a rock collective around singer/songwriter Willem Smit. The ensemble presents a live electro-acoustic mash-up featuring improvisers Evan Parker, Matt…Ī mixture of jazz, pop and electronic sounds from the producer, DJ and artist, who released her… Me Lost Me's incredible new album RPG is due for release on July 7th via Upset The Rhythm.Įdinburgh's Eco connscious party The Big Green makes it's London debut at Dalston's Club Makossa. Me Lost Me's music has been described in The Guardian as "stripping folk back to its bones while letting its future echoes bleed out", and by BBC Radio 6's Tom Robinson as a "brilliant peculiar noise". Led by Newcastle-based artist Jayne Dent who takes influence from folk, art pop, noise, ambient and improvised music, the project has transformed since 2017 from a solo endeavor to an expanded group regularly collaborating with acclaimed North-East jazz musicians Faye MacCalman and John Pope. ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. The Last Wooden Ship evokes the shipyards of Sunderland, laced with piano and percussion events, while her voice calls out like a siren urging listeners to a rocky demise. ![]() Mumurations Over the Moor is a wordless piece of layered vocals, drifting like fog towards a sunset over the green undulations of North East England. Cotton's new album The Portrait You Painted of Me, is a 6-track record her first for Rocket Recordings. As well as the viola, she uses an array of other instruments (her voice, harmonium, percussion, recorder, omnichord, shruti box and piano) to create long, haunting folk drones. In July 2019 her longform piece, Behind the Spiderweb Gates was released on the Australian label, Longform Editions. Her debut album All Is Quiet at the Ancient Theatre was released in 2018 firstly on cassette on Bloxham Tapes, followed by a vinyl release on Cardinal Fuzz (UK) and Feeding Tube (USA). ![]() Phew's expansive Vertical Jamming was released on vinyl for the first time via Disciples last year, whilst Mute recently released her stunning record New Decade a stark, haunted album, populated by voices that intone empty pleasantries in English and Japanese, against a backdrop of fractured, dubbed-out electronics.ĪLISON COTTON is a viola player based in London working in composition and improvisation. She has also released collaborative works with Ana da Silva (Raincoats), Seiichi Yamamoto (Boredoms) and others. Since the beginning of the 2010s, she has released a series of works that combine voice and electronic music, and has gained international recognition as a forward facing electronic artist. In 1992, her third album, Our Likeness, was released on MUTE (recently reissued), again at Conny's studio, with Jaki Liebezeit of CAN, Alexander Hacke of Einstürzende Neubauten, and Chrislo Haas of DAF. After the band's breakup in 1979, she continued her career as a solo artist, releasing a collaborative single with Ryuichi Sakamoto in 1980, and her first solo album, Phew, with Conny Plank, Holger Czukay of CAN, and Jaki Liebezeit in 1981. Phew was a founding member of the legendary Japanese punk band Aunt Sally. PHEW is an avant-garde vocalist, electronics innovator and post-punk artist. ![]()
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